a5c7b9f00b Revolves around Frank, an American tourist visiting Italy to mend a broken heart. Elise is an extraordinary woman who deliberately crosses his path.
Elise (Angelina Jolie) sits next to an American tourist, Frank (Johnny Depp), on a train going to Venice. She has chosen hima decoy, making believe that he is her lover who is wanted by police. Not only will they need to evade the police, but also the mobster whose money her lover stole.
I have never since the birth of the internet felt compelled to write a film review (if you can call this that, rather than just a moan) but in the same way in which I would feel obliged to report the existence of a freshly belly-split roadkill deer to avoid a small child from happening upon it, I feel I have a moral duty to warn people that this film lies around the corner if they are not careful to avoid it.<br/><br/>The acting is hopeless, which can't in the main be the actors' faults since most have given us performances in the past ranging from 'sublime' in some cases all the way down to 'much better than this' in many others. I got the feeling that Mr Depp in particular was just going through the motions, perhaps looked almost embarrassed at times (hey we've all got to pay the rent, Johnny), but even Ms Jolie and her unfeasible lips, who you'd think would be much more in their element, seemed not to find their feet. As it were.<br/><br/>The whole thing seemed incoherent at best, laughably bad at worst. The 'plot' is utterly ridiculous. It's not even "so bad it's good" – it's "so bad it's really, really bad". I kept hoping it would get better, that stuff would start to happen, that we'd have a decent action scene, that I would not just be sacrificing two hours of my life to this dross, but no, none of the above.<br/><br/>Caution: fresh roadkill. AVOID.
What we know about "The Tourist" is it's a spy thriller starring Angelina Jolie and Johnny Depp. We would definitely expect a lot of action and suspense. But instead we get a romantic comedy. Well, the movie doesn't look too serious. It has no suspense. It barely has an action scene. So much humor coming along and the romantic story of Elise(Jolie) and Frank(Depp). I don't think Florian Henckel von Donnersmarck is the kind of director who should be doing a thriller. I think the kind of movie he should make is romance or drama. "The Tourist" isn't bad. We just don't know what is the true genre. By the way if you are here for the stars then it's okay, but if you are seeking for action and suspense then skip this.<br/><br/>"The Tourist" is another movie I saw that has too much explained story, and very slow pacing and it could be boring if you are an action fanatic. Yes, there's nothing suspenseful about this film it's just a romantic comedy drama thing. Even if Donnersmarck tries to make a scene suspenseful it still fail. James Newton Howard's sappy music score also kills the suspense of this film. The climax of this film is very predictable, underwhelming, and dragging. But when Timothy Dalton (Aka James Bond) came to save the day, the scene becomes cool but it lasts too quickly.<br/><br/>The good things I can say about "The Tourist" is the production design is quite fabulous. And the appearance of Timothy Dalton like I say, saves the dull unexciting climax. Playing Muse in the end credits also saves the ending. Prepare to be disappointed if you are expecting Angelina Jolie to kick-ass in this film because the only kick-ass thing she did in this film is kissing Johnny Depp. Johnny Depp is just playing an extraordinary innocent guy in this film and there is nothing bad about that.<br/><br/>"The Tourist" isn't terrible. It's just mediocre. Seriously I wonder who is expecting too much about this film. Maybe the fans of Jolie and Depp. If you are a fan of the stars in this film then you won't hate it that much. You will only hate it if you want suspense and something less absurd or you are an easily offended guy named Frank. I have to disagree with Golden Globes because this movie isn't special, or memorable. It's not great or bad. It's just another blockbuster released in our cinemas!
The Tourist isn't a debacle, but it's a caper that's fatally low on carbonation.
While on the train from Paris to Venice, American tourist Frank Tupelo (<a href="/name/nm0000136/">Johnny Depp</a>) shares a seat with Elise Clifton-Ward (<a href="/name/nm0001401/">Angelina Jolie</a>), a beautiful but mysterious British woman. They strike up a conversation, have dinner together, and Elise invites Frank to share her hotel room. However, Frank is actually being set up. Elise has been ordered by her ex-lover, Alexander Pearce, who stole 2.3 billion dollars from British gangster Reginald Shaw (<a href="/name/nm0000925/">Steven Berkoff</a>), to board that train, pick out a man who resembles him, and make it look like this man is Pearce in order to throw off Shaw and his Russian thugs, who believe Frank is really Pearce,wellthrowing off Scotland Yard, who knows Frank is just an innocent decoy but also wants Pearce for tax evasion. The Tourist is a remake of <a href="/title/tt0411118/">Anthony Zimmer (2005)</a>, a 2005 French film written and directed by French film-maker Jérôme Salle. The screenplay for The Tourist was co-written by American screenwriter Christopher McQuarrie, English screenwriter Julian Fellowes, and German filmmaker Florian Henckel von Donnersmarck (who also directed). Agents from Scotland Yard have been following Elise, hoping that she would lead them to Pearce. Having no photo of him but knowing that Pearce has recently undergone facial reconstruction surgery, they assume Frank is Pearce and photograph him having dinner with Elise. Yard Inspector John Acheson (<a href="/name/nm0079273/">Paul Bettany</a>) receives the photo and does a face recognition, discovering that Frank is indeed Frank Tupelo, a simple math teacher from Wisconsin. However, an informer within the Yard notices the photo, concludes that it's a true photo of Pearce, and forwards it directly to Shaw. Shaw then turns around his private jet and heads to Venice. While Acheson holds Frank handcuffed in their surveillance boat, Elise goes to the Fondamenta San Giocomo to keep her rendezvous with Pearce, not knowing that she is being followed by Shaw and his thugs. They take her captive and threaten to kill her unless she shows them where the safe is hidden. Although both Acheson and Frank can see everything that it going on via audiovisual link, Acheson refuses to heed Frank's pleas to get Elise out of there, because he is certain that, if he holds out long enough, Pearce will show up. Elise eventually points out that the safe is hidden behind a wall medallion of the Roman god Janus but she doesn't know the combination to open the safe. Once again Shaw threatens to kill her, and once again Acheson refuses to intervene. Suddenly, Acheson detects movement in the courtyard and sees who he thinks is Pearce attempting to rescue Elise. It turns out to be Frank, having picked his way out of the handcuffs and fled the boat. Claiming to be Pearce, Frank tells Shaw that he will open the safe if Elise is first released, but Shaw refuses to release Elise until Frank opens the safe. As Frank walks toward the safe, Elise mouths, "I love you." Back in the surveillance boat, Chief Inspector Jones (<a href="/name/nm0001096/">Timothy Dalton</a>) suddenly boards and overrides Acheson's command, giving the police snipers the order to shoot Shaw. Shots ring out, and Shaw and his three thugs lay dead on the floor. Meanwhile, the police report that they have captured Pearce, but he is revealed to be just a tourist who was being paid by someone he didn't know to be at certain places at certain times. With everyone distracted by the tourist, Frank opens the safe, leaving behind a check for £744 milion, signed by A. Pearce. In the final scene, Frank and Elise sail away together. Elise says to Frank, "Twenty million dollars' worth of plastic surgery, and that's the face you choose?" "Do you not like it?" Frank asks. "It'll do," she replies. It's revealed that Elise was sent to Russiaan undercover agent to find Pearce but that she "went dark". Acheson believes that she fell in love with Pearce and couldn't decide whether she was with him or with the Yard.This time she chooses to be "with" him. The song is "Starlight" by Muse. "Map of the Problematique" by Muse from their 2006 album Black Holes and Revelations.
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